I’ve spent the last several years in front of a microphone, turning scripts, chapters and half-remembered local legends into Audio. Some days that’s a straight Narration read. Other days it’s a hundred-year-old ghost story that needs a bit of grit and a bit of warmth in equal measure.
I trained the way most of us do — a lot of practice, a lot of terrible early demos, and a slowly growing sense of what makes a line land versus what makes it fall flat. These days the work covers narration, audiobooks, character voices and commercial reads, but the thread running through all of it is the same: I don’t just do voiceover, I tell stories.
How I work
Every project starts with a read-through and a conversation, not a stopwatch. I record in a treated home studio, deliver broadcast-ready files, and turn most jobs around within 48 hours. If a script needs a second pass, you get it — no extra invoice for getting it right.
When I’m not recording
Away from the booth: I’m making coffee, and collecting the sort of local folklore that never quite makes it into the guidebooks. A few of those stories end up narrated on this site — see the Stories page.